ang kia yee

work



“[a] boundary separates one area from another and yet… belongs to both of them” (Keiji Nishitani)


← explore: project pages



writing

collections
2020 slow dream machine (self-published)

literary journals/ magazines
2021 January 2021, Quarterly Literary Review Singapore
2019 And Yet Eyes Resemble Oysters, Stand Magazine
2019 Untitled, Quarterly Literary Review Singapore
2019 Sit Awhile, Cha: An Asian Literary Journal

exhibitions
2022 A suite for damp rot, as part of REFUSE, Singapore Art Museum
2020 Comma Toes, immaterial bodies, Objectifs

anthologies
2017 We never entered that motel, but we always smelt the eggs frying in the cafeteria downstairs, Twin Cities: an anthology of twin cinema from Singapore and Hong Kong, eds. Tammy Ho Lai-Ming and Joshua Ip
2017 colander for farfalle, cooked precisely, black socks + hanya yanagihara made me cry, SingPoWriMo 2017: The Anthology, eds. Stephanie Chan, Ruth Tang, and Daryl Qilin Yam
2015 Reference no., SingPoWriMo 2015: The Anthology, eds. Daryl Qilin Yam, Joshua Ip, and Jennifer Anne Champion
2013 Death's Knocking, Petua: Reminiscing Grandmother Tales & Superstitions, The HeartThrob Project and Visual Inconsideration

journals/ magazines
2020 The Horse's Mouth, SO-FAR
2018 Tentacle, Quarterly Literary Review Singapore

exhibitions
2022 Edible Life - Prologue*, Mackerel, for Hawker Hawker, Singapore Art Week

2019, 2021 Lovers Text Lovers (development ongoing)
2018 Lizards, 1st (Open Category), 24-Hour Playwriting Competition (TheatreWorks)
2017 i lie there, i am dancing and it's okay, The Writers' Room, Millburn House, University of Warwick
2015 Flicker, The Substation Theatre, Singapore
2015 What You Have Lost, 2nd (Youth Category), 24-Hour Playwriting Competition (TheatreWorks)
2013 Navigation (Belief and Happiness), 3rd (Youth Category), 24-Hour Playwriting Competition (TheatreWorks)

2022 Empty Orchestra Heart: Karaoke culture and aesthetics through Monzoom.xyz's Total Eclipse Plumage, SO-FAR
2021 Loving Anarchy: a review of No Poetry, Cha: An Asian Literary Journal
2020 Hybridised spectatorship: “FIVE” by Intercultural Theatre Institute, Gee Dock Convos
2020 Taking Lessons from Gary-Ross Pastrana's Objects, Plural Art Mag
2019 I, Robomancer: Japan, Buddhism, and Artificial Intelligence, SO-FAR
2018 We're Not There Yet: Dismantling Colonial Ghosts of Southeast Asia, Colonial Hangover Project
2017 Review of Triple Bill, M1 Peer Pleasure Youth Theatre Festival
2017 Review of Without Reason, M1 Peer Pleasure Youth Theatre Festival
2017 Fictional Power: The Collapse of Feminism in Pale Horse, Pale Rider and Diary of a Madman, Unseen The Magazine

7th SIPF 2020 Open Call Artist Interviews, DECK Journal of Photography #2 (forthcoming)
2022 The Future is Here: Entering the Metaverse with Keiken and Kathryn Lofton, SO-FAR
2021 (Block)Chain Reactions in Supplying Transparency, so-far
2020 In the room next to yours: Juka Araikawa, Sullivan+Strumpf Magazine
2020 Counterintuitive Connections, Artacia Art
2020 No Hard Feelings: Nature Shankar, Plural Art Mag
2017 Advocate Artists, M1 Peer Pleasure Youth Theatre Festival, 2017
2016 The Youth Dreams of Theatre, M1 Peer Pleasure Youth Theatre Festival

2022 Edible Life - Prologue, Mackerel, for Hawker Hawker, Singapore Art Week
2021 Touch Skin, an essay for Networked Bodies, Supernormal, Singapore Art Week
2020 Comma Toes, a poem for immaterial bodies, Objectifs
2020 An untitled essay in many parts for The Open Workshop*, Supernormal, Singapore Art Week


performance

☁️ together
2022 FUME, dir. Pat Toh, 72-13
2021 voices in a room, Feelers, online & mail
2020 sensations, Blackboard Schemes, Fertile Art Refinery, The Substation, Singapore
2020 9, Chen Rui Fan, 11 Chander Rd, Singapore
2019 Saint Somebody, Camden People's Theatre, UK
2018 sentry, Festival of Audacity, COW Birmingham, UK
2018 The Triumph of Our Tired Eyes, University of Warwick, UK
2018 Workers Party, University of Warwick, UK
2017 forth, Le Danz (222 Queen St), Singapore
2016 Figs, The Substation Theatre, Singapore
2015 Flicker, The Substation Theatre, Singapore

☁️ solo
2021 Loving Things (to say), Esplanade Upper Concourse
2021 I am home, Cyber Labyrinth, LightNight Liverpool, online
2020 I am home, OH! Open House, online
2020 Loving Things, online
2020 Papier-mâché, Wuwei Performance Series Edition #7, online
2020 moooooooooooooooooooooooooooooood, Wuwei Performance Series Edition #6, Coda Culture, Singapore

2019, 2021 Lovers Text Lovers (script development ongoing)
2020 Loving Things, online
2017 i lie there, i am dancing and it's okay, The Writers' Room, Millburn House, University of Warwick
2016 Figs, The Substation Theatre, Singapore
2015 Flicker, The Substation Theatre, Singapore


editorial

2021-22 Leonorana #5 by Isabel Carvalho (Portugal) as guest co-editor
2017-19 Reinvention: an International Journal of Undergraduate Research as an assistant editor


misc.

2021 Vernacular Antidotes: Object Relations & Alternative Economy Panel, a part of Buangkok Mall Life Club, with Salty Xi Jie Ng, Jennifer Teo, Grace Amber and Shoshana Gugenheim

2020 sensations, co-facilitated with Jireh Koh, Nicole Phua, Veronyka Lau and Yen Phang

2020 Community Garden, Our Softest Hour

2020 A songbird called Tiresias, Care Package, Grey Projects
2019 artist never come, Coming Between, Becoming